King and I
(eAudiobook)

Book Cover
Published
Dreamscape Media, 2020.
Format
eAudiobook
ISBN
9781666557190
Status
Available Online

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Physical Description
10h 57m 0s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Herbert Breslin., Herbert Breslin|AUTHOR., Anne Midgette|AUTHOR., & Chris Lutkin|READER. (2020). King and I . Dreamscape Media.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Herbert Breslin et al.. 2020. King and I. Dreamscape Media.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Herbert Breslin et al.. King and I Dreamscape Media, 2020.

MLA Citation, 9th Edition (style guide)

Herbert Breslin, Herbert Breslin|AUTHOR, Anne Midgette|AUTHOR, and Chris Lutkin|READER. King and I Dreamscape Media, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID9ab979b6-d004-8580-6863-cb8cf60b4ca5-eng
Full titleking and i
Authorbreslin herbert
Grouping Categorybook
Last Update2023-06-20 18:13:08PM
Last Indexed2024-04-21 04:04:54AM

Book Cover Information

Image Sourcehoopla
First LoadedMar 4, 2023
Last UsedOct 26, 2023

Hoopla Extract Information

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    [synopsis] => This is the story of the thirty-six-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, "the greatest career in classical music." During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public. How he and Pavarotti changed the landscape of opera is one of the most significant and entertaining stories in the history of classical music, and Herbert Breslin relates the tale in a brash, candid, witty fashion that is often bitingly frank and profane. He also provides a portrait of his friend and client-"a beautiful, simple, lovely guy who turned into a very determined, aggressive, and somewhat unhappy superstar"-that is by turns affectionate and satirical and full of hilarious details and tales out of school, with Pavarotti emerging as something like the ultimate Italian male. The book is also enlivened by the voices of other players in the soap-opera drama that was Pavarotti's career, and they are no less uncensored than Herbert Breslin. The last word, in fact, comes from none other than Luciano Pavarotti himself! The King and I is the ultimate backstage book about the greatest opera star of the past century-and it's a delight to listen to as well.
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