The Operas of Mozart
(eAudiobook)

Book Cover
Published
The Great Courses, 2002.
Format
eAudiobook
ISBN
9781682764183
Status
Available Online

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Physical Description
18h 0m 0s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Robert Greenberg., Robert Greenberg|AUTHOR., & Robert Greenberg|READER. (2002). The Operas of Mozart . The Great Courses.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Robert Greenberg, Robert Greenberg|AUTHOR and Robert Greenberg|READER. 2002. The Operas of Mozart. The Great Courses.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Robert Greenberg, Robert Greenberg|AUTHOR and Robert Greenberg|READER. The Operas of Mozart The Great Courses, 2002.

MLA Citation, 9th Edition (style guide)

Robert Greenberg, Robert Greenberg|AUTHOR, and Robert Greenberg|READER. The Operas of Mozart The Great Courses, 2002.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID6b5fd391-757b-8225-693a-b6fe40255060-eng
Full titleoperas of mozart
Authorgreenberg robert
Grouping Categorybook
Last Update2024-01-23 17:46:04PM
Last Indexed2024-03-27 03:36:05AM

Book Cover Information

Image Sourcehoopla
First LoadedJun 8, 2022
Last UsedAug 28, 2023

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    [synopsis] => When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the greatest weight. Artistically, the world of the operatic stage spoke deeply to his primal instinct for play, his taste for fantasy, and his restless creative imagination. And in this rich series of eight entertaining lectures, you'll learn how his operas vied with one another for the acclaim reserved for the greatest achievements of human artistic striving: Idomeneo, The Abduction from the Harem, The Marriage of Figaro, Così fan tutte, Don Giovanni, and The Magic Flute, which premiered only ten weeks before his untimely death. In addition to summarizing Mozart's life and artistic development, the lectures focus on two of his greatest masterpieces, Così fan tutte and The Magic Flute, to help you understand more fully the height of Mozart's operatic achievement.
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