The Concerto
(eAudiobook)

Book Cover
Published
The Great Courses, 2006.
Format
eAudiobook
ISBN
9781682764008
Status
Available Online

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Physical Description
18h 0m 0s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Robert Greenberg., Robert Greenberg|AUTHOR., & Robert Greenberg|READER. (2006). The Concerto . The Great Courses.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Robert Greenberg, Robert Greenberg|AUTHOR and Robert Greenberg|READER. 2006. The Concerto. The Great Courses.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Robert Greenberg, Robert Greenberg|AUTHOR and Robert Greenberg|READER. The Concerto The Great Courses, 2006.

MLA Citation, 9th Edition (style guide)

Robert Greenberg, Robert Greenberg|AUTHOR, and Robert Greenberg|READER. The Concerto The Great Courses, 2006.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID1ad1eef5-8431-b7ea-1833-965722d1758d-eng
Full titleconcerto
Authorgreenberg robert
Grouping Categorybook
Last Update2024-04-03 18:55:09PM
Last Indexed2024-04-17 02:27:45AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 8, 2022
Last UsedMar 26, 2023

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    [synopsis] => The concerto offers a kind of unique excitement no other instrumental music can match. Where a symphony enthralls us with its thematic variations and development, a concerto gives us human drama - the exhilaration of a soloist or group of soloists ringing forth against the mass of the orchestra. In 24 musically rich lectures, Professor Greenberg provides a guided tour of the concerto, from its conception as a child of Renaissance ideals, through its maturation in the Classical age, its metamorphosis in the Romantic era, and its radical transformation in the 20th century and beyond. You'll listen to selections from nearly 100 concerti from more than 60 composers - from Gabrieli to Gershwin, from Schumann to Shostakovich. Along with the bedrock of the repertoire - represented by Vivaldi, Bach, Mozart, Beethoven, Mendelssohn, Chopin, Schumann, Liszt, Brahms, Tchaikovsky, Dvorak, Rachmaninoff, Bartok, and many others - you are introduced to superb concerti by a host of less-familiar masters. You'll study in depth some of the greatest and most beloved works of the genre, including Mozart's Concerto for Flute in G Major, K. 313; Haydn's Concerto for Trumpet in E-flat Major; Beethoven's Piano Concerto no. 4 in G Major, op. 58; Chopin's Piano Concerto no. 2 in F Minor, op. 21; Grieg's Piano Concerto in A Minor, op. 16; and Tchaikovsky's Violin Concerto in D Major, op. 35. Finally, you'll look at some notoriously esoteric and difficult 20th-century composers, including Arnold Schönberg and Elliott Carter, learning how their music is much more accessible than it appears.
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