Sorrow and the Pity.
(eVideo)
Contributors
Ophuls, Marcel, film director.
Mendès France, Pierre, actor.
Anthony Eden, Robert, actor.
Kino Lorber (Firm), Distributor
Kanopy (Firm), Distributor
Mendès France, Pierre, actor.
Anthony Eden, Robert, actor.
Kino Lorber (Firm), Distributor
Kanopy (Firm), Distributor
Published
[San Francisco, California, USA] : Kino Lorber, 1971., Kanopy Streaming, 2021.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (250 minutes): digital, .flv file, sound
Status
Description
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More Details
Language
fre
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Pierre Mendès France, Robert Anthony Eden
Date/Time and Place of Event
Originally produced by Kino Lorber in 1971.
Description
From its first release at an underground theater in Paris, this account of France's occupation under Nazi regime has been acclaimed as one of the most moving and influential films ever made. Director Marcel Ophüls interviewed the residents of Clermont-Ferrand who remembered the occupation, as well as government officials, writers, farmers, artists, and German veterans. Here, in their own words, is the story of how ordinary citizens and leaders alike behaved under military siege. Originally refused by French TV, the film garnered international success and acclaim – including an Oscar nomination for Best Documentary – while shattering the myth of an undivided and universally resistant France under the Vichy government. A triumph of on-the-ground filmmaking, THE SORROW AND THE PITY remains gripping, appalling, and exhilarating for its transparent view upon humanity.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Ophuls, M., Mendès France, P., & Anthony Eden, R. (1971). Sorrow and the Pity . Kino Lorber.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Ophuls, Marcel, Pierre, Mendès France and Robert, Anthony Eden. 1971. Sorrow and the Pity. Kino Lorber.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Ophuls, Marcel, Pierre, Mendès France and Robert, Anthony Eden. Sorrow and the Pity Kino Lorber, 1971.
MLA Citation, 9th Edition (style guide)Ophuls, Marcel,, Pierre Mendès France, and Robert Anthony Eden. Sorrow and the Pity Kino Lorber, 1971.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
33d76c92-4e5a-cdb3-3519-8152a1d23112-fre
Grouping Information
| Grouped Work ID | 33d76c92-4e5a-cdb3-3519-8152a1d23112-fre |
|---|---|
| Full title | sorrow and the pity |
| Author | kino lorber |
| Grouping Category | movie |
| Last Update | 2024-03-07 15:47:42PM |
| Last Indexed | 2024-05-04 02:59:13AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Jul 10, 2022 |
| Last Used | Jan 31, 2024 |
Marc Record
| First Detected | May 23, 2022 06:04:11 PM |
|---|---|
| Last File Modification Time | Mar 07, 2024 03:53:45 PM |
MARC Record
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| 518 | |a Originally produced by Kino Lorber in 1971. | ||
| 520 | |a From its first release at an underground theater in Paris, this account of France's occupation under Nazi regime has been acclaimed as one of the most moving and influential films ever made. Director Marcel Ophüls interviewed the residents of Clermont-Ferrand who remembered the occupation, as well as government officials, writers, farmers, artists, and German veterans. Here, in their own words, is the story of how ordinary citizens and leaders alike behaved under military siege. Originally refused by French TV, the film garnered international success and acclaim – including an Oscar nomination for Best Documentary – while shattering the myth of an undivided and universally resistant France under the Vichy government. A triumph of on-the-ground filmmaking, THE SORROW AND THE PITY remains gripping, appalling, and exhilarating for its transparent view upon humanity. | ||
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