Strand: Under the Dark Cloth.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kino Lorber, 1990., Kanopy Streaming, 2022.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (81 minutes): digital, .flv file, sound
Status
Description
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Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Date/Time and Place of Event
Originally produced by Kino Lorber in 1990.
Description
Although his influence on the history of photography has been nothing short of profound, Paul Strand (1890-1976) remains a curiously shrouded and paradoxical figure. While passionately devoted to humanity, he was happiest in the isolation of the darkroom. A pioneer filmmaker, (Manhatta, Native Land, Heart of Spain, The Wave), he found the process of collaboration painful. Strand established himself in New York in the 1920s as a master of light and structure, with his now famous photo of Wall Street inspired by the forms and movement of European modernist painters such as Matisse and Picasso. His closeup portraits and landscapes were equally profound. John Walker's STRAND: UNDER THE DARK CLOTH is a documentary that is "beautifully crafted, thoroughly researched and intimately recounted" (Variety) with generous amounts of Strand's most famous photographs, clips from his films and collaborators including Fred Zinnemann, Cesare Zavattini and Georgia O'Keeffe. It is a valuable and comprehensive introduction to the life and work of Paul Strand suitable for both art historians and general viewers alike.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Walker, J. (1990). Strand: Under the Dark Cloth . Kino Lorber.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Walker, John. 1990. Strand: Under the Dark Cloth. Kino Lorber.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Walker, John. Strand: Under the Dark Cloth Kino Lorber, 1990.
MLA Citation, 9th Edition (style guide)Walker, John. Strand: Under the Dark Cloth Kino Lorber, 1990.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
74f042d3-f570-4161-1197-5003eda66f6f-eng
Grouping Information
Grouped Work ID | 74f042d3-f570-4161-1197-5003eda66f6f-eng |
---|---|
Full title | strand under the dark cloth |
Author | kino lorber |
Grouping Category | movie |
Last Update | 2024-03-07 15:47:42PM |
Last Indexed | 2024-04-21 03:35:31AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Oct 30, 2022 |
Last Used | Apr 22, 2024 |
Marc Record
First Detected | May 23, 2022 06:05:54 PM |
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Last File Modification Time | Mar 07, 2024 03:53:59 PM |
MARC Record
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500 | |a Film | ||
500 | |a In Process Record. | ||
518 | |a Originally produced by Kino Lorber in 1990. | ||
520 | |a Although his influence on the history of photography has been nothing short of profound, Paul Strand (1890-1976) remains a curiously shrouded and paradoxical figure. While passionately devoted to humanity, he was happiest in the isolation of the darkroom. A pioneer filmmaker, (Manhatta, Native Land, Heart of Spain, The Wave), he found the process of collaboration painful. Strand established himself in New York in the 1920s as a master of light and structure, with his now famous photo of Wall Street inspired by the forms and movement of European modernist painters such as Matisse and Picasso. His closeup portraits and landscapes were equally profound. John Walker's STRAND: UNDER THE DARK CLOTH is a documentary that is "beautifully crafted, thoroughly researched and intimately recounted" (Variety) with generous amounts of Strand's most famous photographs, clips from his films and collaborators including Fred Zinnemann, Cesare Zavattini and Georgia O'Keeffe. It is a valuable and comprehensive introduction to the life and work of Paul Strand suitable for both art historians and general viewers alike. | ||
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