Critics, Monsters, Fanatics, and Other Literary Essays
(eAudiobook)

Book Cover
Published
HighBridge, 2016.
Format
eAudiobook
ISBN
9781681680491
Status
Available Online

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Physical Description
7h 13m 0s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Cynthia Ozick., Cynthia Ozick|AUTHOR., & Donna Postel|READER. (2016). Critics, Monsters, Fanatics, and Other Literary Essays . HighBridge.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Cynthia Ozick, Cynthia Ozick|AUTHOR and Donna Postel|READER. 2016. Critics, Monsters, Fanatics, and Other Literary Essays. HighBridge.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Cynthia Ozick, Cynthia Ozick|AUTHOR and Donna Postel|READER. Critics, Monsters, Fanatics, and Other Literary Essays HighBridge, 2016.

MLA Citation, 9th Edition (style guide)

Cynthia Ozick, Cynthia Ozick|AUTHOR, and Donna Postel|READER. Critics, Monsters, Fanatics, and Other Literary Essays HighBridge, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID3c087393-5d8f-1fc0-d7b7-d10ce22f5ef8-eng
Full titlecritics monsters fanatics and other literary essays
Authorozick cynthia
Grouping Categorybook
Last Update2024-02-09 09:15:05AM
Last Indexed2024-04-28 02:59:50AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 21, 2022
Last UsedJul 5, 2023

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    [synopsis] => If every outlet for book criticism suddenly disappeared-if all we had were reviews that treated books like any other commodity-could the novel survive? In a gauntlet throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades, Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-twentieth century to today, from Saul Bellow, Bernard Malamud, and Kafka, to William Gass and Martin Amis, all assembled in provocatively named groups: Fanatics, Monsters, Figures, and others. Uncompromising and brimming with insight, these essays are essential reading for anyone facing the future of literature in the digital age.
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