Last Light: How Six Great Artists Made Old Age a Time of Triumph
(eAudiobook)

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Published
Simon & Schuster Audio, 2022.
Format
eAudiobook
ISBN
9781797144535
Status
Available Online

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Physical Description
13h 12m 45s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Richard Lacayo., Richard Lacayo|AUTHOR., & Mack Sanderson|READER. (2022). Last Light: How Six Great Artists Made Old Age a Time of Triumph . Simon & Schuster Audio.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Richard Lacayo, Richard Lacayo|AUTHOR and Mack Sanderson|READER. 2022. Last Light: How Six Great Artists Made Old Age a Time of Triumph. Simon & Schuster Audio.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Richard Lacayo, Richard Lacayo|AUTHOR and Mack Sanderson|READER. Last Light: How Six Great Artists Made Old Age a Time of Triumph Simon & Schuster Audio, 2022.

MLA Citation, 9th Edition (style guide)

Richard Lacayo, Richard Lacayo|AUTHOR, and Mack Sanderson|READER. Last Light: How Six Great Artists Made Old Age a Time of Triumph Simon & Schuster Audio, 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDadb56fa8-c231-2010-63ab-936baaf83a15-eng
Full titlelast light how six great artists made old age a time of triumph
Authorlacayo richard
Grouping Categorybook
Last Update2024-02-20 17:00:57PM
Last Indexed2024-05-05 04:41:50AM

Book Cover Information

Image SourcecontentCafe
First LoadedFeb 26, 2023
Last UsedMay 6, 2024

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    [synopsis] => One of the nation's top art critics shows how six great artists made old age a time of triumph by producing the greatest work of their long careers - and, in some cases, changing the course of art history.

Ordinarily, we think of young artists as the bomb throwers. Monet and Renoir were still in their twenties when they embarked on what would soon be called Impressionism, as were Picasso and Braque when they ventured into Cubism. But your sixties and the decades that follow can be no less liberating if they too bring the confidence to attempt new things. Young artists may experiment because they have nothing to lose, older ones because they have nothing to fear. With their legacies secure, they're free to reinvent themselves... sometimes with revolutionary results.

Titian's late style offered a way for pigment itself - not just the things it depicted - to express feelings on the canvas, foreshadowing Rubens, Frans Hals, 19th-century Impressionists, and 20th-century Expressionists. Goya's late work enlarged the psychological territory that artists could enter. Monet's late waterlily paintings were eventually recognized as prophetic for the centerless, diaphanous space developed after World War II by abstract expressionists like Jackson Pollock and Phillip Guston. In his seventies, Matisse began to produce some of the most joyful art of the 20th century, especially his famous cutouts that brought an ancient craft into the realm of High Modernism. Hopper, the ultimate realist, used old age on occasion to depart into the surreal. And Nevelson, the patron saint of late bloomers, pioneered a new kind of sculpture: wall-sized wooden assemblages made from odds and ends she scavenged from the streets of Manhattan.

Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.
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